Lia Dostlieva (Donetsk, 1984) is an artist, cultural anthropologist and essayist. Has a degree in cultural anthropology. Her art and research practice engaged with the issues of collective trauma, decolonial stories seen through multispecies entanglements, and agency and visibility of vulnerable groups.
Julia Po (Julia Polunina-But till 2020, born in 1985, Simferopol, Ukraine) — Ukrainian artist, photographer. Works and resides in Kyiv. Got engaged in photography in 2012. Studied at the Cultural photographic center “PhotoCult” in the studio of Oleksandr Liapin. Apart from that, finished Roman Pyatkovka’s course of conceptual photography and the course in history of photography by Viktoriа Myronenko. In 2014 published her “Barricade” book, after which receive the Grand-Prix of “Photographer of the Year-2014” (Ukraine) for the similarly-titled project. Member of Ukrainian Photographic Alternative association (UPHA)
The Beach
A small physical object, a stone that easily fits in a palm becomes a carrier of memory about pleasure-from-place, a material proof of certain enjoyable events in the past. Now, after the occupation of Crimea, these souvenirs obtain for Ukrainians additional symbolic meaning and become a fragile link between acquired and lost, mental and physical, imaginary and eye-witnessed.
The south coast of Crimea has been the traditional place to spend their summer vacations for people from all over Ukraine. It would be a challenge to find someone who had never been in Crimea. Trips to Crimea had been a part of the traditional way of life for generations of Ukrainians.
The beaches of the south coast are covered with pebbles which people would often bring home as a souvenir from Crimea. A pebble was a document of summer vacations just as a picture in a swimsuit was.
A small physical object, a stone that easily fits in a palm becomes a carrier of memory about pleasure-from-place, a material proof of certain enjoyable events in the past. Now, after the annexation of Crimea, these souvenirs obtain additional symbolic meaning and become a fragile link between acquired and lost, mental and physical, imaginary and eye-witnessed.
By gathering pebbles via personal requests, announcements, and social media posts, artists have repeated the path of the Crimean tourist who gathers pebbles on the beach to re-create a common space of memories and a physical reconstruction of the place these memories are connected to.